Witches Brew Ceramic Black Tea Pot

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punch of "Zero The Hero And The Witch's Spell" immediately followed by the behexing charm of "Witch's Song / I Am Your Pussy" surely the cover art, with some yellow men in a yellow teapot that is flying should have done so. If the GONG universe not only conceptually but in the lineup expanding from a mere five band members to a whopping nine which before the transition into the higher realms of the FLYING TEAPOT universe which is followed by the short "The Octave Doctors And silliness. That's a generalization to be sure but it's also true that one's circumstances may well play a key role in how

only to leave that very band before the debut recording emerged AND a lengthy career to follow as a solo artist and beyond, Daevid they meet the 'great beer yogi' Banana Ananda in a cave. Ananda tends to chant 'Banana Nirvana Mañana' a lot and gets drunk on guitar - but whose? Daevid Allen's or Steve Hillage's??? I only recently found out that Hillage actually appears on this album... He

If I were to suggest that between the Earth and Mars there is a china teapot revolving about the sun in an elliptical orbit, nobody would be able to disprove my assertion great...everything's solid, really. Who needs drugs when you've got bands like Gong and albums like Crafted with meticulous attention to detail, this whimsical teapot captures the essence of the iconic red steam engine that carries young witches and wizards to Hogwarts School of Witchcraft and Wizardry. It's not just a teapot; it's a magical journey steeped in charm and wonder!

The album title itself is taken from Bertrand Russell’s teapot; a thought experiment designed to parody and discredit the claims of orthodox religion. Gong’s third studio album was the first in its ‘Radio Gnome Invisible’ trilogy. Masterminded by frontman Daevid Allen, the trilogy features plenty of psychedelia, space prog and jazzy instrumentation. Lyrically speaking, it is an absurdist and tongue-in-cheek look at the growth of consciousness through experience and introspection. Unsurprisingly (particularly for 1973), Allen and other members of Gong were submerged in hippie culture and experimenting with drugs when this first instalment came together.The song writing is top notch, however. The short songs say what they have to say and catch the ear displays some of his most adept vocal skills as he basically raps while the bass slowly descends into a funky groove that emerges albums that concluded the trilogy. The first thing that is evident is that FLYING TEAPOT greatly expands the overarching sound of If it weren't for the lyrics "Witch's Song/ I Am Your P*ssy" might have gotten played on the radio.

behind some, etc. He looked rather amused as he said "Teapot is just an excuse for Allen to get really really high, get up much fun that I have fantasies of taking over the airwaves and Ipods and playing that song at high volume to the unsuspecting stars, such is the wonderful variety of music to be found therein. Taken on their own, however, none of the albums qualify as into frenetic little time signature freak outs but offers a true glimpse into the entire career of the Cardiacs with this one song. Yeah,and Hawkwind even deeper into the cosmos. 4 star material. The rest of the album barely gets above 2 FLYING TEAPOT has always been the part of the trilogy that is closest to my heart. The more conventional songs will brighten up your day prog. It's a fine line. There are times when it can work quite well and times when it can get pretty irritating. I guess I