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The Gates of Rome: ‘If you liked Gladiator, you’ll love Emperor’ THE TIMES: Book 1 (Emperor Series)

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Janus] also has a temple at Rome with double doors, which they call the gates of war; for it always stands open in time of war, but is closed when peace has come. The latter was a difficult matter, and it rarely happened, since the realm was always engaged in some war, as its increasing size brought it into collision with the barbarous nations which encompassed it round about. But in the time of Augustus it was closed, after he had overthrown Mark Antony; and before that, when Marcus Atilius and Titus Manlius were consuls, it was closed for a short time; then war broke out again at once, and it was opened. [3] Appearance and construction [ edit ] The story of the Gates of Janus was also used by British political and military leaders during the 19th and early 20th centuries. They portrayed the opening of the Gates as a part of the glory of war and used the legend to add honour to the wars over control of their empire. [19] See also [ edit ] Infuriated, Alaric broke off negotiations, and Jovius returned to Ravenna to strengthen his relationship with the Emperor. Honorius was now firmly committed to war, and Jovius swore on the Emperor's head never to make peace with Alaric. [80] John Bagnell Bury, History of the Later Roman Empire volume 1, (Dover edition, St Martins Press, 1958), p. 134. a b Burns, Thomas S. (1994). Barbarians Within the Gates of Rome A Study of Roman Military Policy and the Barbarians, Ca.375–425 A.D. Indiana University Press. p.236. ISBN 9780253312884 . Retrieved 18 November 2022.

Gates of Rome is part historical fiction and part a coming of age novel. It follows the two boys Marcus and Gaius from their young childhood through to them taking their place in the Roman world as young men with names as famous as any in history. Iggulden fills in the gaps in known history and as he explains in the excellent brief historical note at the end of the book bends timelines and details to facilitate his story. It is though largely set within a well-detailed and authentic historical environment and follows the genuine history reasonably well. Aurelian's construction of the walls as an emergency measure was a reaction to the barbarian invasion of 270; the historian Aurelius Victor states explicitly that the project aimed to alleviate the city's vulnerability. [5] It may also have been intended to send a political signal as a statement that Aurelian trusted that the people of Rome would remain loyal, as well as serving as a public declaration of the emperor's firm hold on power. The construction of the walls was by far the largest building project that had taken place in Rome for many decades, and their construction was a concrete statement of the continued strength of Rome. [4] The construction project was unusually left to the citizens themselves to complete as Aurelian could not afford to spare a single legionary for the project. The root of this unorthodox practice was the imminent barbarian threat coupled with the wavering strength of the military as a whole due to being subject to years of bloody civil war, famine and the Plague of Cyprian. Gordon M. Patterson, Medieval History: 500 to 1450 AD Essentials, (Research & Education Association, 2001), p. 41. Gibbon, Edward (2 May 2013). The history of the decline and fall of the Roman Empire. Eighteenth Century Collections Online Text Creation Partnership. p.302. ISBN 978-0-19-966481-8.

Rarely, if ever, does a new writer dazzle us with such a vivid imagination and storytelling, flawlessly capturing the essence of a land, a people, a legend. Conn Iggulden is just such a writer, bringing to vivid life one of the most fascinating eras in human history. In a true masterpiece of historical fiction, Iggulden takes us on a breathtaking journey through ancient Rome, sweeping us into a realm of tyrants and slaves, of dark intrigues and seething passions. What emerges is both a grand romantic tale of coming-of-age in the Roman Empire and a vibrant portrait of the early years of a man who would become the most powerful ruler on earth: Julius Caesar. Syme, Ronald. “Problems about Janus.” The American Journal of Philology 100, no. 1 (1979): 188-212.

Burns, Thomas (1994). Barbarians within the Gates of Rome: A Study of Roman Military Policy and the Barbarians, CA. 375–425 A.D. Bloomington and Indianapolis: Indiana University Press. p.227. ISBN 978-0-25331-288-4. a b c Peter Heather, The Fall of the Roman Empire: A New History of Rome and the Barbarians, (Oxford University Press, 2006), pp. 227–228. During the Gothic Wars of 535-554, the defenders of the Gate fought off the Gothic invaders from the gate, hurling down marble statues or whatever they could loosen from the ancient tomb down onto the invading Ostrogoths. In time, Alaric became an ally of Stilicho, agreeing to help claim the praetorian prefecture of Illyricum for the Western Empire. To that end, Stilicho named Alaric magister militum of Illyricum in 405. However, the Goth Radagaisus invaded Italy that same year, putting any such plans on hold. [44] Stilicho and the Romans, reinforced by Alans, Goths under Sarus, and Huns under Uldin, managed to defeat Radagaisus in August 406, but only after the devastation of northern Italy. [45] [46] 12,000 of Radagaisus' Goths were pressed into Roman military service, and others were enslaved. So many were sold into slavery by the victorious Roman forces that slave prices temporarily collapsed. [47]Sam Moorhead and David Stuttard, AD410: The Year that Shook Rome, (The British Museum Press, 2010), pp. 94–95. The Aurelian Walls remain remarkably well-preserved today, largely the result of their constant use as Rome's primary fortification until the 19th century. The Museo delle Mura near the Porta San Sebastiano offers information on the walls' construction and how the defenses operated. The best-preserved sections of the walls are found from the Muro Torto (Villa Borghese) to Corso d'Italia to Castro Pretorio; from Porta San Giovanni to Porta Ardeatina; from Porta Ostiense to the Tiber; and around Porta San Pancrazio. [3] Gates [ edit ] Sentry passage near Porta Metronia. In 2022, he published the first in a two-part series, The Golden Age, titled Lion. Set a generation after his Athenian series, it follows Pericles' rise in Athens, the formation of the Delian League, and the Battle of the Eurymedon. His second and final book in the series, which came out in 2023, is titled Empire. If you’re arriving to Rome’s 1930’s Termini Train Station, look to the right as you walk out the front of the station into the Piazza dei Cinquecento, the square named for the 500 Italian soldiers who were wiped out by 7,000 Ethiopians at the Battle of Dogali (Eritrea) in 1887. Dunstan, One Man Will Change the Fate of England by Conn Iggulden". www.penguin.co.uk . Retrieved 25 September 2017.

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